On Saturday, (yes I’ve been so busy since that I couldn’t post before now) Phoenix attended the event of the year: Tyson Crosbie’s (that’s me) book signing for his new book “Phoenix 20″.

I just want to thank everyone that attended. Phoenix continues to surprise me, in a good way. We had 25-30 people show up and watch me talk about my work and my connection to this city. I had good conversations with nearly everyone that was there and it is my hope that some new relationships were formed between the guests. It isn’t just a marketing phrase or gimmick for me, I really think the events main focus was about community. If I get to sell some books and prints along the way that is just a bonus. It just happens that I sold out of all available books and left some people wanting one. Which is a testiment to the kind of community that exists here already.

Erica Lucci and Chris Altman purchased their first art piece together as a married couple, and were gracious enough to let me unveil it at the event and show off a little bit.

This was the draft for my speech:

I started working abstractly in college in the beginning it was just about learning compositional rules and practicing observing the world around me. About the time I traveled to Mexico, about a year later, the work had begun to evolve into something a lot closer to abstract expressionism, in that I wasn’t able to disconnect the experiences I was having personally from the work that I was producing. I continued practicing and developing the work over the next several years. I never really gave too much credit to the work and still considered it just an exercise even though the images were becoming increasingly complex, and I was starting to get noticed at shows, I still didn’t feel like it was completely ready. When I moved to Phoenix in July I didn’t want to be here and went into a quite severe depression as I looked for work and essentially felt trapped in my house during the summer months. The few times I went out to photograph I couldn’t find the same complexity and depth that I had been previously working on in Austin. It was like hell for a color abstractionist with all the stucco and sandstone bricks. I almost gave up on it completely, and started looking for a temporary job.
It eventually cooled off and I started to attend first fridays I was absolutely blown away by the event. Here was an entire emerging art culture right on my front step, all I had to do was get to work. I started to go out photographing again and it took a long time to find what I was looking for in the sea of brown. But there it was a little spot of color and then another and another. One of the major hurdles I had to get used to was driving a lot further and taking little field trips into the city that may or may not result in usable material.
It was a strange coincidence that as I started photographing the streets of Phoenix and the work became more accessible I started to connect with the community of people in the city as well. I started my own business and decided the work was ready to be something. That thing was a series of 20 images that related as much to my experiences moving here as it was a reflection of what Phoenix is as a city. I worked toward publishing this book and it took a couple months but here it is and I am so happy that you all are here to share it with me.

This is a question for anyone who attended: What was the signing like for you?