I understand the requirement of experience when hiring a photographer, you are essentially sharing either a very personal one time event with them or paying them a lot of money to photograph products for your company. Therefore an experienced photographer is a necessity, not an option, for most people. Customers need to know that you can deliver the images that will forever represent themselves or their product.
There are many ways that photographers try to convey this sense of experience, one way is the biography section of their website. Inevitably on a photographers website the biography lists the first time they used a camera. Nearly every single one of us took the family camera out of the bag and pointed it at the nearest mirror pressing the button as soon as we were able, for me it was about four years old. Does that mean I have 26 years of experience? I think not.
What does all that experience really mean? Personally I didn’t have too much interest in the camera at all growing up. I did buy my first SLR when I was attending Cottage Grove High School, I was on the yearbook committee and did the printing for the yearbook. (All traditional printing in the darkroom) Thinking back I can only remember running two rolls of film through the old Minolta before putting it back in it’s case. It is my guess that most photographers who state the beginning of their career at four years old share a similar experience.
Tip:
Be careful when reading the copy of a photographers website, there is usually little purpose for it except to stretch the truth about their experience and their accomplishments. One professional photographer I interned for told me, “Facts about past clients and accomplishments are hard if not impossible to confirm, so use that to your advantage when marketing yourself.”
Perhaps naively I choose not to do this. I count the day I changed my Major in College from Mechanical Engineering to Fine Arts as the day I became a photographer. The entire semester prior to that change I struggled with the idea of becoming a starving artist. In my second photo class at the time, and spending 40+ hours a week in the Universities Art Book Room, it was clear to me that becoming a photographer was something I felt compelled to pursue. It is now such an ingrained part of my identity that it is hard to imagine a time when I didn’t see the world through the viewfinder of a camera. In reality that was only 8 years ago.
Blurb.com certainly has been on my radar for sometime now. The idea of on demand publishing is a powerful idea that is executed very well there. Although there is still a stigma attached to the idea of publishing your own content without the guidance of an editor or the backing of a huge publishing house it exists only as a remnant from the dinosaurs. Like my wife says- we are a generation that demands to have what we want-Now. Photoprenuer just ran an article on the promotional contest by blurb.com to give $25,000 to the person that submits the best designed photo book.
I had already planned on publishing a book to coincide with the release of my new abstract work in May. The contest brought some interesting things to mind, first the offer of $25,000 certainly encouraged me to download the blurb software and sign up for an account. However, I ran into a time crunch of sorts– the need to learn how to manipulate another application built to be simple to do something complex (iweb comes immediately to mind) always becomes a time sink that threatens other priorities. That coupled with the pressure to compete as a designer when my real passion is photography has effectively put this project on hold.
My first inclination was to collaborate with a designer but after checking the rules only entrants solely responsible for the design and content are eligible. This seems a little backwards to the trends in art and in commerce lately of using the power of collaboration to create projects. I know I am a great photographer and I could crank out a good design for a book but I also know I am not a great designer. My address book is full of great designers and that is what they do, it is their life– just like photography for me.
My prediction is that photographic content will take a back seat to book design and a designer will win the $25000.
What is your prediction?
Do you agree that collaboration should have been included?
I revamped the info page on tysoncrosbie.com Hoping to answer the most common questions I ask myself when I go to someones info page. I am open to any suggestions and or criticism though the comments below. Seriously and honestly, let me know what you think.
Welcome to my blog, where I ditch the constant PR person nagging about every word I write and just write what I want to. I intend to write about things that inspire me as a business person and as a photographer. And to keep it interesting I will complain about a lot of the hacks walking around this town calling themselves photographers. I will tell you the secrets of becoming a commercial photographer and bring you along as I work and play in Phoenix, Arizona.
The first secret is to love what you do. I certainly love photography and it dominates my thinking in everything I do. I am constantly thinking about the light and how I will shoot the subjects that interest me. Lately I am obsessed with taking simple things like eggs or the ghetto car wash and seeing if I can create something interesting out of them. It is always an exercise in seeing and my personal work has it’s foundation in this idea and thanks to twitter and Scoble I know what to call what I have been doing for the last eight years– photowalking. A good image no matter the subject must first be visually interesting and the only way to develop that skill is to practice observing. Especially the simple things.
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